Apr 122016
 
Ötzi

Otzi is an an audio-visual work developed for the MuseRuole Festival at Museion Museum for Modern and Contemporary Art in Bolzano/Italy, on 27th May 2016.  It is inspired by the story of the Ötzi the ieceman, an extremely well-preserved natural mummy who was found buried in ice in the nearby Ötztal Alps (hence the name). His body and belongings are […]

Apr 122016
 
Lauschen

Lauschen: Listening/Eavesdropping was an improvised performance for traffic, voice and listening cones at Lausch II, Lewisham Art House, London, UK (April 2016). The performance also incorporated acousmatic sounds surrounding the audience, in the form of hidden blue bluetooth speakers. Find a video documenting the performance here:   More to come.

Sep 012015
 
Room 61

Room 61 was a site-specific performance at the National Gallery, as part of Soundscapes Late. The event took place in Room 61 of the Sainsbury Wing (see floor plan) in September 2015. As a live response to images in these galleries, the piece includes growling lions, lute music, readings from a Middle Age treatise on painting and […]

Aug 172015
 
Un-veiled

Smoke and Fog  are two experimental documentaries come audio-visual poems made from original photographic documentation. Each soundtrack presents a digitally transmuted vocal response to these images, referencing the equally smokey jazz clubs of the time by fragmenting a popular jazz standard of the period.. The project is part of a JISC-funded CREAM project to explore the use of Actively Used Metadata in research and other creative processes. READ MORE HERE

Jul 142015
 
Remote Listening

Remote Listening is new project, which is still in development. It involves participants calling me on a mobile phone within a set timeframe (one week for example), and me describing my environment to them. I envisage this as a kind of one-on-one performance poetry kind of experience. Here is a very short and rough example […]

Apr 152015
 
Eclipse: in between earth and the stars

Eclipse is a site-specific performance commissioned by Radio Arts for Switched On at the Beaney Art Museum in Canterbury, UK. Juxtaposing the universe with mundane everyday life, the performance combines readings from Canterbury’s local newspapers (including personal ads) with sounds of the solar system with and musings about the recent solar eclipse. The following text was read as […]

Jan 122015
 
Listening Room - Tate Britain Residency

From 2nd-6th February 2015, during a residency for Tate Britain’s Radio City Season, I developed the Listening Room, a space for visitors to bring me objects and their stories around the theme of “hearing”.  These might be pictures, stones, sticks, in fact anything imaginable! I was at hand to record the stories and I later created a 4-channel […]

Jan 012015
 
Breathing Through Wires: an album of voice improvisations

Breathing Through Wires is an album of live improvised and processed voice performances, recorded in the UK between 2012 and 2014. Some were recorded through the mixing desk, others in the room. The titles refer to either event or venue. It was released on net label of the year 2014 Pan Y Rosas Discos. Expect to […]

Oct 302014
 
Morse Code Choir

I am currently in the process of developing Morse Code Choir, a Dreamlands Commission from Radio Arts. It is due in late January 2015 and will be broadcast on Radio Reverb, Resonance FM, Phonic FM, BCB, Radio Papesse, WGXC (90.7-FM) and Wave Farm Radio (1620-AM). Click here for more.

May 252014
 
Unwitting scores | A performance for voice and projector at IMT Gallery

Unwitting scores is a performance commissioned for Forms of Ventriloquism curated by Maria Papadomanolaki. It took place at IMT Gallery, on 24.7.2014.

For Forms of Ventriloquism Iris Garrelfs re-interprets the relationships between puppeteer and dummy, performer and score, by “throwing her voice” (as the act of ventriloquizing is also known) and giving expression to another time, another place, and another’s experience. These were relayed by visual and textual recordings of the initial activities. Iris Garrelfs now zooms into their fragmented traces, which become unwitting scores and prompts to a performative transposition of place.” For more information, click here

Apr 092014
 
Bedroom Symphonies

Bedroom Symphonies is an album of eight compositions made from voice practice sessions during a number of tours and residencies.So, imagine me sitting on a hotel bed, or friend’s sofa, laptop on the night table with a head microphone plugged straight into it and you won’t be too far from reality. As the practice microphone wasn’t […]

Apr 092014
 
Barbican live

An extract from a live performance at the Barbican Centre (a Hack the Barbican event curated by Music Hackspace) in summer 2013 was released on the compilation VOIX BRUTES | Vol.I on Audition Records in June 2014.

Apr 092014
 
Brixton Lullaby

Brixton Lullaby is an extract from a collaborative live improvised studio session at Clifton Mansions, Brixton, between Viv Corringham and Iris Garrelfs, using voice and electronics. The original recordings were made in autumn of 2007, the edit was made in spring 2014 and  published as part of the temporal benefit release For Syria on Linear […]

Mar 312014
 
Stone Table

Stone Table is an improvised performance work for locally collected stones and an amplified metal table. It was developed for Sonic cueB Festival in London, curated by Luca Nasciuti. The first performance took place on 24/3/2014. I spent the afternoon collecting stones in the local area – mostly in Hilly Fields – which where then used in the performance […]