Find a 2-min contribution to Button Box on Linear Obsessional which contains 46 re-workings of Richard Sanderson’s recent album Air Buttons. It’s called eating through wires and you know why when you download it for free here.
Fellow sound artist and photographer Tansy Spinks and I have been selected for a collaborative residency at Wimbledon Space as part of ACTS RE-ACTS Festival, organised by Wimbledon College of Arts to set up a debate about contemporary performance in fine art and theatre. It will take place from 25/2/14-26/3/14 and Tansy and I will have fun exploring collaborative, site specific sound performance through objects and improvisation. We played with similar ideas during a one-day workshop last year (which made it into my piece Object and Process), and it will be very interesting to see where this may lead to.
You can find the residency blog here.
Introduction Object and Process began life as one-to-one workshops with three fellow artists, Tansy Spinks, Mark-Peter Wright and Dan Scott, trying of get a feel for how sound artists interact with objects through improvisation. The idea to the first part of Object and Process was prompted by the first practitioner in the series, Tansy Spinks, asking if I considered using the […]
Multilogue was developed as multi-channel sound installation using a selection of interview materials conducted with artists such as Aura Satz, David Toop, Trevor Wishart and many more. It presents a multi-angled dialogue, a blend of views from which the piece emerges at their intersection. The title derives from a contraction of the words ’multi’ and ‘dialogue’. […]
Sound Portal Designer Stephen Philips said in an interview that the main inspiration for the design of the structure was Kubrick’s 2001: A Space Odyssey. Coincidentally London College of Communication holds the Stanley Kubrick archive and when combined with a love of sci-fi in general this seemed the perfect embarkation point for the sound artists’ sonic explorations.
Remembering Worlds builds on these influences and creates a journey in sound and space. The piece weaves together memories from the Kubrick Inner Circle oral history project at the archive with more personal ones to the piece’s creators, intersected with sounds that primarily live in cultural imagination: those of alien landings, titan battles and human exploration.
The result is a playful narrative that comments on perceptions of imagining future and past, whilst folding these into the act of listening.
Here a stereo compression of the installation