UPCOMING
Garrelfs, I (in press). Musings on mycelic creative practice. In: Enclave Festival catalogue.
Garrelfs, I (in press). Every day. In: Anna Walker et all. ARE Journal.
IN PROGRESS
Rogers, H and Garrelfs, I (tbc). Sounds of Resistance: Women’s Audio-visual Art in Britain (book chapter). In: Steve Gibson ed. Audio-Visualism: Reframing Relationships Between Sound & Image
Garrelfs, I (tbc). Phil Minton’s Ferral Choir (book chapter). In: Jeni Walwin (ed) Phil Minton: A Feral Voice
PUBLISHED WRITINGS
Garrelfs, I (2021). Acts of air: reshaping the urban sonic (Sound Reviews). In: Sound Studies, 7:2, 269-272, DOI: 10.1080/20551940.2021.1879500
Tahiroğlu, K; Magnusson, T; Parkinson, A; Garrelfs, I and Tanaka, A. (2020). Digital Musical Instruments as Probes: How Computation Changes the Mode-of-Being of Musical Instruments. In: Organised Sound, 25(1), pp. 64-74. ISSN 1355-771
Garrelfs, I. (2019) Override: An experiment in interrupting the congruity of audio-visual relationships. SoundEffects – An Interdisciplinary Journal of Sound and Sound Experience, 8(1), 104-121. Retrieved from https://www.soundeffects.dk/article/view/115036
Garrelfs, I (2018). Sound in Place. In: Maike Zimmermann, [city]Frequency 2015-17 (exhibition catalogue), APT Gallery London, p.15 ISBN 978-1-9999976-0-1