UPCOMING
Garrelfs, I (in press). Musings on mycelic creative practice. In: Enclave Festival catalogue.
Garrelfs, I (in press). Every day. In: Anna Walker et all. ARE Journal.
IN PROGRESS
Rogers, H and Garrelfs, I (tbc). Sounds of Resistance: Women’s Audio-visual Art in Britain (book chapter). In: Steve Gibson ed. Audio-Visualism: Reframing Relationships Between Sound & Image
Garrelfs, I (tbc). Phil Minton’s Ferral Choir (book chapter). In: Jeni Walwin (ed) Phil Minton: A Feral Voice
PUBLISHED WRITINGS
Garrelfs, I (2021). Acts of air: reshaping the urban sonic (Sound Reviews). In: Sound Studies, 7:2, 269-272, DOI: 10.1080/20551940.2021.1879500
Tahiroğlu, K; Magnusson, T; Parkinson, A; Garrelfs, I and Tanaka, A. (2020). Digital Musical Instruments as Probes: How Computation Changes the Mode-of-Being of Musical Instruments. In: Organised Sound, 25(1), pp. 64-74. ISSN 1355-771
Garrelfs, I. (2019) Override: An experiment in interrupting the congruity of audio-visual relationships. SoundEffects – An Interdisciplinary Journal of Sound and Sound Experience, 8(1), 104-121. Retrieved from https://www.soundeffects.dk/article/view/115036
Garrelfs, I (2018). Sound in Place. In: Maike Zimmermann, [city]Frequency 2015-17 (exhibition catalogue), APT Gallery London, p.15 ISBN 978-1-9999976-0-1
Garrelfs, I. (2017). Editorial. In: Garrelfs I. (ed). Reflections on Process in Sound Vol 5 (online). Available from http://www.reflections-on-process-in-sound.net/issue5
Garrelfs, I (2016). Still Hidden? In: Cathy Lane, Angus Carlyle and Holly Ingleton, Holly (Eds) Sound::Gender::Feminism::Activism (SGFA) conference Zine. Available from https://ualresearchonline.arts.ac.uk/id/eprint/11501/1/SFGA%20Zine%20Final%20Online.pdf
Garrelfs, I (2016). From Conceptual Blending to Procedural Blending: Applying a Model of Cognition to Process in Sound Art Practice. In: Denham, S. and Punt, M. eds. (2016) Off the Lip Conference 2015 Proceedings. Plymouth: TT OA Papers pp. 71-88
Garrelfs, I (2012). Reflections on over ride-anexperiment to interruptsensorial interaction in audio-‐visual relationships (SSSP conference paper), available here
Garrelfs, I (2008). A composer’s Idiosyncratic Method For Bringing About Structural Associations And Developing Contextual Collages. In: Playing With Words – The Spoken Word In Artistic Practice, edited by Cathy Lane, CRiSAP / RGAP
Garrelfs, I and Benford, D (2006). Epiphany. In: Wire Magazine, Jan issue 2006
Oct 2005: Creative Partnerships London North, Ideas Newsletter, with Lynne Bracknell 2004 – 2009: SonicArtsNetwork Diffusion magazine: audio reviews
Jul 1998: Fourth Door Review
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