The Listening Wall is a wall of curated scores for listening and sound related instruction scores. Within the exhibition space, these scores are also available as print-outs for audiences to take and experience at a time of their choosing. Some scores focus our attention on the experience of listening and the quality of the sound itself; others aim […]
A somewhat strange (in an interesting way) set with Tansy Spinks as Lab of Sonic Possibilities, recorded at the Being Human Festival at the Horniman Museum and Gardens in November 2019, is now available on bandcamp. Our theme for the day is “tea”, due to the fact of course that Horniman also founded one of the […]
Iris’ View is a track for A View From A Hill, the traditional free x-mas compilation album on Linear Obessional for 2018. Each track is exactly 2 minutes long and with 104 contributions that equates to over 3 hours listening. It’s release on x-mas eve via https://linearobsessional.bandcamp.com .
I was invited to participate in Transmedia Borders, a project based in Mexico exploring the subjects of immigration, displacement, language, visual and sound friction. It is curated by the poet Rocío Cerón and also features Aki Onda and Abraham Chavelas amongst others. You can hear all our works here. The works I prepared for Transmedia Borders are: – 3 […]
Just in time for International Women’s Day 2017, Jude Cowan Montague and myself created a film called Paw’s Off. It uses an improvisation by us two live on air at The News Agents, on Resonance FM during the woman’s march on 21st January 2017, responding to tweets and other media outlets. We’ve combined this with […]
Bifurcation of Time is a collection of text-based works developed during the collaborative, international residency project Soundscapes Landscapes (City Above Life Below) in Athens, Greece. The project, instigated by Greek media art collective Medea Electronique in conjunction with the Onassis Cultural Centre sought to create a works for a series of site-specific mobile phone walks and a VR experience; […]
Brighton Variations is an album containing compositions made from ceramics sounds recorded during the making of Littoral Assembly over the summer, juxtaposed with poems by the sculptor Michelangelo. It will be released on Hardy Cuttings in spring 2017. Supported by Sound and Music’s Francis Chagrin Award
Room 61 was a site-specific performance at the National Gallery, as part of Soundscapes Late. The event took place in Room 61 of the Sainsbury Wing (see floor plan) in September 2015. As a live response to images in these galleries, the piece includes growling lions, lute music, readings from a Middle Age treatise on painting and […]
Remote Listening is new project, which is still in development. It involves participants calling me on a mobile phone within a set timeframe (one week for example), and me describing my environment to them. I envisage this as a kind of one-on-one performance poetry kind of experience. Here is a very short and rough example […]
Eclipse is a site-specific performance commissioned by Radio Arts for Switched On at the Beaney Art Museum in Canterbury, UK. Juxtaposing the universe with mundane everyday life, the performance combines readings from Canterbury’s local newspapers (including personal ads) with sounds of the solar system with and musings about the recent solar eclipse. The following text was read as […]
From 2nd-6th February 2015, during a residency for Tate Britain’s Radio City Season, I developed the Listening Room, a space for visitors to bring me objects and their stories around the theme of “hearing”. These might be pictures, stones, sticks, in fact anything imaginable! I was at hand to record the stories and I later created a 4-channel […]
Multilogue was developed as multi-channel sound installation using a selection of interview materials conducted with artists such as Aura Satz, David Toop, Trevor Wishart and many more. It presents a multi-angled dialogue, a blend of views from which the piece emerges at their intersection. The title derives from a contraction of the words ’multi’ and ‘dialogue’. […]
Through my Spoken Songs I ask: what happens when you try to understand one thing in terms of another, in this case poems in terms of songs? Does a new understanding emerge?
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