Jun 132017
 
Transmedia Borders

I was invited to participate in Transmedia Borders, a project based in Mexico exploring the subjects of immigration, displacement, language, visual and sound friction. It is curated by poet Rocío Cerón. The works I am currently preparing for Transmedia Borders are: – 3 soundscapes of places where we can listen to voices and the cultural diversity that you […]

Mar 082017
 
Paws Off!

Just in time for International Women’s Day 2017, Jude Cowan Montague and myself created a film called Paw’s Off.  It uses an improvisation by us two live on air at The News Agents, on Resonance FM during the woman’s march on 21st January 2017, responding to tweets and other media outlets. We’ve combined this with […]

Mar 042017
 
Bifurcation of Time

Bifurcation of Time is a collection of text-based works developed during the collaborative, international residency project  Soundscapes Landscapes (City Above Life Below) in Athens, Greece. The project, instigated by Greek media art collective Medea Electronique in conjunction with the Onassis Cultural Centre sought to create a works for a series of site-specific mobile phone walks and a VR experience; […]

Jan 192017
 
Listening Wall

The Listening Wall is a wall of curated scores for listening and sound related instruction scores.  LISTEN… In 1966, sound art pioneer Max Neuhaus stamped the word “LISTEN” onto the hands of participating audiences and took them on a walk around Manhatten, listening to industrial rumblings, buzzings of Puerto Rican street life and lastly, a percussion performance. […]

Dec 102016
 
Brighton Variations

Brighton Variations is an album containing compositions made from ceramics sounds recorded during the making of Littoral Assembly over the summer, juxtaposed with poems by the sculptor Michelangelo. It will be released on  Hardy Cuttings in spring 2017.     Supported by Sound and Music’s Francis Chagrin Award

Sep 012015
 
Room 61

Room 61 was a site-specific performance at the National Gallery, as part of Soundscapes Late. The event took place in Room 61 of the Sainsbury Wing (see floor plan) in September 2015. As a live response to images in these galleries, the piece includes growling lions, lute music, readings from a Middle Age treatise on painting and […]

Jul 142015
 
Remote Listening

Remote Listening is new project, which is still in development. It involves participants calling me on a mobile phone within a set timeframe (one week for example), and me describing my environment to them. I envisage this as a kind of one-on-one performance poetry kind of experience. Here is a very short and rough example […]

Apr 152015
 
Eclipse: in between earth and the stars

Eclipse is a site-specific performance commissioned by Radio Arts for Switched On at the Beaney Art Museum in Canterbury, UK. Juxtaposing the universe with mundane everyday life, the performance combines readings from Canterbury’s local newspapers (including personal ads) with sounds of the solar system with and musings about the recent solar eclipse. The following text was read as […]

Jan 122015
 
Listening Room - Tate Britain Residency

From 2nd-6th February 2015, during a residency for Tate Britain’s Radio City Season, I developed the Listening Room, a space for visitors to bring me objects and their stories around the theme of “hearing”.  These might be pictures, stones, sticks, in fact anything imaginable! I was at hand to record the stories and I later created a 4-channel […]

Oct 162013
 
Multilogue

Multilogue was developed as multi-channel sound installation using a selection of interview materials conducted with artists such as Aura Satz, David Toop, Trevor Wishart and many more. It presents a multi-angled dialogue, a blend of views from which the piece emerges at their intersection. The title derives from a contraction of the words ’multi’ and ‘dialogue’. […]

Jun 252012
 
Spoken Songs

Things often are a matter of perspective. What changes when you change your angle?

Through my Spoken Songs I ask: what happens when you try to understand one thing in terms of another, in this case poems in terms of songs? Does a new understanding emerge?

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